The 20 Best Environmentalist Artworks of the Past 50 Years
In art history, there is a stereotype of the artist as a hermit who spends his days locked away in his studio, but in reality, many artists over the past century—particularly those who have been active in the last decade—have considered the relationship between themselves and the environment and the destructive effects of climate change. In honor of Earth Day’s 50th anniversary, ARTnews has compiled a selection of the finest environmentalist artworks from across the world. Listed here is a selection of the most thought-provoking publications on topics such as land rights, ecological calamity, the Anthropocene, biological reclamation, and more.
A poster for the inaugural Earth Day was commissioned by the American Environment Foundation in 1970, on the occasion of the first celebration of the planet’s environment.
However, in spite of the ominous tone, Rauschenberg’s initiative had an upbeat side as well: the profits raised from the sale of the 10,300 posters went to ecological organizations.
Christo and Jeanne-“Running Claude’s Fence” (1972–76) is an example of conceptual art. Activists have frequently targeted Christo and Jeanne-work, Claude’s claiming that their massive interventions spanning hundreds of thousands of square feet have caused permanent damage to the surrounding ecology. The artists have consistently denied the allegations—and have even attempted to be transparent about the effects of their pieces on nature in order to avoid them. Running Fence, a project that included 24.5 miles of fabric stretching from the 101 freeway, north of San Francisco, to the Pacific Ocean, marked the first time that the artists released a report on the environmental impact of their work.
- Since then, Christo has made it a priority to incorporate environmentally friendly materials into his artwork.
- The link between women’s bodies and natural environs was the subject of several feminist artists’ investigations throughout the late 1970s and early 1980s.
- “Siluetas” is a collection of work in which the artist utilized her own body to leave imprints in landscapes that, she claims were inspired by her native nation of Cuba, from which she escaped to the United States in 1961.
- The works in the series began in Mexico and ended in Iowa.
When Agnes Denes and Wheatfield meet in Battery Park Landfill in Downtown Manhattan, they have a confrontation (1982) Agnes Denes was a significant part of a loose movement known as ecofeminism throughout the 1970s and 1980s, and she is best known for making works that depict a more environmentally friendly future in which women are empowered.
- Despite the fact that the grains were occupying a plot that was then worth $4.5 billion, the artist had people harvest the seeds afterWheatfield’s run was completed as part of an arts initiative with the goal of ending world hunger.
- Nils Klinger is the mayor of Kassel.
- In spite of the fact that the late Austrian artist, Lois Weinberger, had a propensity to disown links to environmental activism, her work has provided innovative instances of how organic materials might be used to reclaim industrial areas.
- The plants, which are not indigenous to Kassel, have survived and are now regarded to be a part of the local ecology.
- Making a forceful message regarding Indigenous land rights by speaking to their Mother was widely seen as significant.
- Belmore’s work shows the ways in which the campaigning for Indigenous land rights intersects with ecological action in a positive way.
- Is it possible for art to correct environmental wrongs?
- These creatures suck up harmful chemicals and are subsequently collected and burnt, as has been the case with hisRevival Fieldproject.
- Paul, Minnesota, Chin’s Revival Field was suddenly entangled in a National Endowment for the Arts dispute during the era of the Culture Wars and was forced to close.
- Chin has returned to the project on a number of occasions, staging it in various locations, including New Orleans, where the soil had been poisoned with lead following Hurricane Katrina.
The photo is by Miguel Tona/EPA-EFE/Shutterstock Chen Zhen, Fu Dao/Chen Zhen, Fu Dao, Upside-Down Buddha/Arrival at Good Fortune Chen Zhen, Fu Dao (1997) Many Chinese artists began to consider the ways in which the landscape of their nation was being profoundly impacted by businesses that were quickly expanding as a result of globalization just before the turn of the century.
- According to Chen Zhen, the piece raises concerns about “the link between nature, the Buddhist tradition, and the rapid expansion of consumer items in Asia,” among other things.
- Do seeds hold more information about the history of the globe than we realize?
- According to Alves, these ships not only transported products throughout the world, but they also introduced new types of bacteria and plants to the continent.
- Storm King Wavefield was created by Maya Lin in 2009.
- Thompson/Maya Lin Storm King Wavefield was created by Maya Lin in 2007–08.
- She has provided innovative approaches to repurposing land for artistic purposes, and she has done so in a very public way.
- A natural drainage system was created by the artist to preserve the piece, which is permanently situated at the Storm King Art Center in Mountainville, New York, with the goal of having as little influence on the local environment as possible on the ecosystem.
The title of this work relates to both the weight of history and the weight of the sand bags that Otobong Nkanga transported between the two nations in which she is located, Belgium and Nigeria, therefore referring to both the weight of history and the weight of the sand bags.
A Forest of Lines by Pierre Huyghe is a work of art (2008) As far as I can tell, there has been no other artist who has demonstrated such a bizarre obsession with bringing natural materials into art spaces as Pierre Huyghe.
This work, A Forest of Lines, was originally made for the 2008 edition of the Biennale of Sydney and was only on display for 24 hours, but it has since become one of the artist’s most well-known pieces.
Viewers were moved through the area by Laura Marling’s music, which Huyghe described as a “displacement.” Ice Watchin Paris, by Olafur Eliasson, is being staged again.
Elsewhere in Denmark, Eliasson imported 12 massive pieces of glacier from the Greenland Icefjord, where he erected them in front of Copenhagen’s city hall, allowing them to completely melt away as people clambered on top of them and marveled at their beauty.
Daniel Steegmann Mangrané’s Phantom (my name is the kingdom of all the animals and all the monsters), 2014–15, is a large-scale installation.
To create the piece, Daniel Steegmann Mangrané collaborated with a technology company to create a virtual recreation of Brazil’s Atlantic Rainforest, which is regarded to be one of the world’s fastest-depleting ecosystems.
Indonesian Forensic Architecture, Ecocide, and Forensic Science (2015) Around the past decade, a growing number of artists have shown an interest in employing scientific data to call attention to environmental degradation occurring all over the world.
The group investigated fires that raged in Indonesia in 2015, which destroyed more than 8,000 square kilometers of land.
It is currently possible to find palm oil plants on those lands.
Artists: JUDY CHICAGO and the Artists’ Rights Society (ARS), New York/Photo: Donald Woodman and the Artists’ Rights Society (ARS), New York/Artwork: COURTESY THE ARTIST; SALON 94, New York; and JESSICA SILVERMAN GALLERY, San Francisco/Photo: Donald Woodman and the Artists’ Rights Society (ARS), New York/Artwork: COURTESY the Artist; SALON 94, New York Judy Chicago is stranded in Chicago (2016) Many people associate Judy Chicago with her renowned feminist artworks from the 1970s and 1980s; nevertheless, she has tackled a variety of critical themes throughout her career, one of which is the influence of mankind on the environment.
She is currently working on a series called “The End: A Meditation on Death and Extinction,” which recently debuted at the National Museum of Women in the Arts in Washington, D.C.
The series is a contemplation on death, destruction, and extinction, as well as environmental issues.
Purple is the color of John Akomfrah (2017) Akomfrah’s video installation Purple, like many of his other works, navigates a complicated network of interlinked historical threads, each of which is tied to environmental damage.
As Akomfrah draws connections between global warming and the battles of the past, he demonstrates that climate change is itself the outcome of political strife—he has even described the work as “a person of color’s answer to the Anthropocene and climate change.” Quipu Viscera is a collaboration between Cecilia Vicua and Quipu Viscera.
- Quipu are twisted knots of fiber that are used by the Quechua people to transmit history of war and commerce.
- Vicua’squipupieces have occasionally been shown outside by the artist, where the works are exposed to the elements, in order to draw attention to the ways in which Indigenous knowledge and land are frequently subjected to destructive influences by outside forces.
- Image courtesy of the artist ‘Nature Represents Itself,’ by Susan Schuppli (2018) It is the purpose of this analytical work to examine the Deepwater Horizon issue that erupted in 2010 following the spilling into the Gulf of Mexico of about 5 million barrels of oil from a BP-operated facility.
- Nature doesn’t lie, and Susan Schuppli’s work, which blends digital renderings and documentation, considers how the data that may be acquired from contaminated rivers reveals the truth about the chemical makeup of the water.
- In particular, she has focused her attention on the Anthropocene and environmental doom.
The power of technology to provide such pictures may elicit amazement, but Steyerl asserts that such imagery has no effect on climate change—as digital petals open, species outside of the museum area are dying extinct at an alarming rate.
Environmental Art Movement Overview
Known for his celebration of organic pattern, shape, and texture in his site-specific works, Andy Goldsworthy is known for exploring the inherent beauty of the environment, the inevitable cycles of rebirth and decay, and the process of co-creation between man and natural material in his site-specific works. He has stated that he sees his work as a “partnership with nature,” which he believes is accurate. We can see this unity in this example because of his tremendous appreciation for what nature has to give to anybody who takes the time to look attentively and pay attention.
- He painstakingly collected local limestone shards and built them up into a cone form, each one being different from the others.
- It fascinates me how a cone grows stone upon stone, layer upon layer.
- With the adjacent “Nine Standards,” a group of nine cairns that have stood on a hill for several centuries, whose origins are unclear, the piece was developed in direct communication with them.
- Employing natural resources to construct cairns in the same shape and substance as the earlier structures, Goldsworthy stated that using natural materials to construct structures is an ancient, fundamental human drive.
- Despite the fact that the work could not be purchased or sold, it sent a specific message to visitors, encouraging them to create their own replicas of historical items and, in doing so, contribute to the notion of geographical heritage.
Environmental artists, a sustainable trend
Naturearts Art and the natural environment appeal to both reason and emotion. What exactly occurs when we combine them? This is answered by environmental art, a movement embraced by artists from a variety of professions who are inspired by nature or utilize it as a raw material, communicating its beauty and inspiring us to take better care of the environment. We are forced to consider the effects of our actions on the environment when we view environmental art. For thousands of years, the natural wonders of the world have compelled people to express ourselves in ways other than words.
From Paleolithic cave drawings to high-impact digital images of the animal kingdom, the history of art spans thousands of years.
However, the environmental catastrophe we are currently facing has sparked a new creative movement that goes beyond simply capturing and representing nature as it has done in the past, to converting nature into the work as a whole.
ART AND NATURE
Nature-inspired landscapes are the first thing that comes to mind when thinking of nature in art. Despite the fact that this style of painting has been prevalent in Asia since antiquity, it was regarded with suspicion in Europe until it became trendy during the Dutch Baroque era, after which it was transferred to other nations. Among the most well-known landscape painters in the world are the Flemish master Jacob van Ruisdael, the English master John Constable, the American Thomas Cole, the Dutch artist Vincent Van Gogh, and the French masters Monet and Cézanne, among many others.
Ansel Adams’ images of Yosemite National Park in the United States were influenced by the gardens of Versailles (France) designed by André Le Nôtre, sculptures such as the Peine del Viento by Eduardo Chillida at San Sebastián (Spain), and paintings by Pablo Picasso.
Vincent Van Gogh’s painting, ‘Green Wheat Fields, Auvers,’ is one of his most famous works (1890).
‘Mont Sainte-Victoire,’ by Paul Cezanne, is a painting from the 18th century (1902-1906).
CHARACTERISTICS AND AIMS OF ENVIRONMENTAL ART
Environmental art includes both classic genres and contemporary art, and it addresses issues such as ethics and environmentalist activity. This new style to painting originated towards the end of the 1960s, and, unlike the classics, it goes beyond just depicting a landscape or include the environment in its compositions. It is also known as environmental art. In order to raise consciousness about the damage we are doing to the environment and to motivate us to take action, the environment is transformed into an artistic piece.
Ecoart is made with natural, long-lasting elements such as dirt, stones, leaves, and branches.
Encourage communication and engagement by citizens in order to safeguard the environment.
FROM ‘LAND ART’ TO ‘ARTE POVERA’
Environmental art incorporates a number of other, related movements, such as ecological art, arte povera, and land art, among many others. The final of these alters the environment by erecting large-scale works of art, such as giant spirals, ditches, and ramps, which are constructed from the land itself or natural materials and are intended to elicit emotional responses from individuals who see them. It was around the end of the 1960s that the first instances of land art arose in the United States.
Key concepts in environmental art.
Arte povera (poor art) developed in Italy about the same time as land art, and it is distinguished by the use of ‘poor’ basic materials that are readily available, such as soil, rocks, plants, and other natural elements, rather than more expensive ones.
These are works that reject the commercial aspect of art, that necessitate public participation, and that change over time as the materials used to create them deteriorate and decay.
GREAT ENVIRONMENTAL ARTISTS
The Spiral Jetty, designed by Robert Smithson and located in Utah, United States. “Procrastination” is the title of an Andy Goldsworthy piece. Andrew Rogers’ sculpture from the ‘Rhythms of Life’ series, which is on display in Ibiza (Spain). A selection of some of the most well-known artists associated with this creative trend is shown below:
- Herman de Vries is a Dutch sculptor who was born in 1931 and lives in Germany. He is considered to be one of the forefathers of contemporary environmental art. His paintings use natural objects from all around the world, which he uses to illustrate the variety of the planet. Andy Goldsworthy is a British sculptor and photographer born in 1956 who has been creating incredible works of art for the past two decades. A temporary installation in woodlands and riverbeds is created entirely by him using nothing but his own hands
- Joseph Beuys, a multidisciplinary German artist who lived from 1921 to 1986, is most known for his work 7000 Oaks, which is considered to be one of the most significant works of environmental art of the twentieth century. Beuys and his crew employed 7,000 oak trees to replant many polluted regions, with the help of volunteers. Robert Smithson was an American artist who lived from 1938 to 1973 and is most known for his monumental, transitory works of art, such as the Spiral Jetty in the Great Salt Lake in Utah. When he was searching for the location of his next work, he was killed in an aircraft crash. Andrew Rogers’s creations are made of natural materials and are inspired by the natural world. His Rhythms of Lifesculpture project, which began in 1998 and now includes 51 enormous stone sculptures in 16 countries, was launched in 1998.
Can Art Help Save the Planet? (Published 2019)
Saving the environment. It is not just the topic of heated political discussion, but also of popular culture. An increasing number of museum exhibitions are centered on it this year, including works by ancient masters and exhibits developed with high-tech breakthroughs, all of which are intended to stimulate aesthetic appreciation while also motivating people to take action against environmental concerns. Exhibitions include “Hudson Rising,” at the New-York Historical Society, “Nature’s Nation: American Art and Environment,” in Salem, Mass., which examines 300 years of American art through an environmental perspective, and “Documenting Change: Our Climate (Past, Present, and Future),” in Boulder, Colo.
- It is “completely understandable and beneficial” that there is a surge in interest in both art that is itself about the environment as well as art that is self-consciously environmental, according to Karl Kusserow, curator of American art at the Princeton University Art Museum.
- Beginning at the Princeton University Art Museum, it is now on display at the Peabody Essex Museum in Salem, where it will remain until May 5.
- A concern for climate change prompted Dr.
- “The impetus grew out of my recognition and realization that I could bridge my concerns as a citizen with my work as a scholar,” said Dr.
- Among the objectives of the show, he explained, is to examine well-known and lesser-known works of art through the lens of ecology: how the environment is portrayed in photographs, and how people are pictured in relation to the rest of the world.
- Valerie Hegarty is a curator at the Brooklyn Museum.
- Kusserow remarked of the exhibition.
- Bierstadt gives a specific way of perceiving nature as lovely and unpopulated, full of animals and crops, lasting and static, but Hegarty physically dematerializes the same image,” he explained.
- Nonetheless, the surrounding countryside appears desolate; hence, the presentation concentrates on the environmental consequences of the Civil War on the land, which included deforestation and the burning of grain fields.
Kusserow, it was a policy of the North and the South that had “very negative environmental repercussions.” This year’s big spring exhibition at the New-York Historical Society, “Hudson Rising,” which runs until August 4, intertwines famous works of art with aquariums and political flyers as well as music and movies.
- “The Hudson River has become an incubator for environmental activism,” she added.
- In addition to displaying the Hudson River School’s enormous collection of paintings, pictures, and tourist paraphernalia, such as posters from the 1930s enticing people to take a day excursion on the river, the museum also hosts a number of events throughout the year.
- “All of its applications and emotions are in direct opposition with one another,” Dr.
- Increasingly, individuals are realizing that the region may not be able to satisfy the needs of all people.
- The show focuses on the movement that has taken place throughout the years to rescue the Hudson.
- The park quickly became one of the most popular in the country and is still in operation today.
- A yellow political button with the motto “Dig they won’t.
The exhibition will conclude with a look toward the future and how to reclaim the Hudson River in response to climate change, showcasing projects that are already underway, such as reeflike structures, known as “living breakwaters,” that can reduce the impact of waves while also helping to restore the shoreline of the Hudson River.
- It consists of 70 works of art from 30 different painters.
- An exhibition at the Climate Museum at New York City’s temporary home on Governors Island will run from May 4 to October 31, and will be open to the public.
- The New York Times’ George Etheredge contributed to this report.
- On June 14, the finalists will take the stage at the Apollo Theater in Harlem, New York.
- The exhibition will be on display concurrently at the Cooper Hewitt, the Smithsonian Design Museum in New York, and theCube design museum in Kerkrade, the Netherlands, according to Ms.
- This will be a first for the Cooper Hewitt, who claimed it will be a first for the Cooper Hewitt.
- Jae Rhim Lee, a designer from South Korea, will also create an organic cotton burial garment that comprises biodegradable components that also break down poisons in the human body.
- It is a genuine tree that has been grafted with apples, pears, plums, peaches, cherries, and apricots using century-old methods to preserve unusual fruit.
“We have a tremendous desire on the part of scientists to engage with different audiences, and a desire on the part of humanists and artists to grapple with the immensity of the problems we’re facing right now,” said Erin Espelie, co-director of the Nature, Environment, Science, and Technology Studio for the Arts at the University of Colorado.
What is Environmental Art?
As you are aware, the purpose of The Healing Power of ARTARTISTS is founded on a strong concern for creating awareness about art that has a good influence on individuals, society, and the environment, and it is based on this concern. For this reason, a series of articles on artists who are concerned with environmental issues will be featured on this site. We also have online exhibitions, such as “Our Bond With Nature,” that you may view. What is Environmental Art, and how does it differ from other forms of art?
- Spiral Jetty, a work by Robert Smithson completed in 2005.
- Smithson was an American artist who used photography with sculpture and land art to create his works.
- There are many other types of practices and movements that fall under this umbrella term, including but not limited to: Land Art, Earth Art, Sustainable Art, and Conceptual Art.
- Jean-Max Albert, Piotr Kowalski, Nils Udo, and Robert Smithson were some of the most prominent artists linked with this form of art, among others.
- The Romantic movement, which began in the early nineteenth century, was characterized by an early interest in the natural world.
- Even before that, we may say that environmental art originated with our predecessors’ Paleolithic cave drawings, which we call the beginning of environmental art.
- Diane Burko, Columbia Glacier Lines of Recession 1980-2005, Columbia Glacier Lines of Recession 1981-2005, 2011.
Although there is no clear definition of Environmental Art at this time, it encompasses a wide range of scientific, social, and political fields and is largely concerned with environmental challenges.
Diane Burko is a modern artist based in Philadelphia, Pennsylvania.
Her striking images and paintings convey a strong concern for our endangered natural world, which she expresses via her work.
There is a global influence of environmental art that is represented by a variety of organizations, ranging from regional grassroots groups to big organizations, all of which have many distinct manifestations that change from one place to the next.
They exhibit their variety by employing a diverse range of mediums, methods, and styles in their works.
Francis is an acrylic painting on canvas measuring 36 inches by 48 inches.
You may read her piece “Art that Is Concerned with Environmental Issues” here.
They are frequently interested with environmental, health, and human rights concerns and devote their artistic efforts to these topics.
One of the most distinguishing qualities of environmental art is that artwork is often produced for a specific location, cannot be transferred, and, as a result, cannot be displayed in galleries or museums.
It’s also possible that they’ll supply images of their installations that may be shown in galleries and museums, or that can be purchased and collected as art pieces.
It goes without saying that artists who are committed to exploring the numerous fields of environmental art play a vital role in the art world as well as in our society as a whole.
What exactly is Eco-Art?
It is confusing since the phrases are frequently used in the same sentence.
Alexandre Dang’s “Dancing Sunflower” is a work of art.
Mary Lou Dauary has written an article about Alexandre Dang, which you can read here.
Another type of artist that works in the field of eco-art may reclaim, repair, and remediate damaged habitats as well as re-envision ecological interactions using their work.
The intriguing subject of eco-art will be covered in greater depth in a future post.
“Our Bond With Nature” is one of the exhibitions that we have on display.
“Resources for Artists Who Care About Nature” is a collection of resources for artists who care about nature.
You’ll discover tools, places, and opportunities to broaden your worldwide art network, enhance your artistic career, collaborate with like-minded experts, and gain greater exposure via your art.
“I’ve been seeking for anything like this for a long time and haven’t been able to locate anything.” Teresa Goldberg is a well-known author.
The ebook is just $18 and is available for immediate download. Available for purchase at the Renee-Phillips.com book shop. For further information, please see this link. PLEASE SHARE THIS ARTICLEwith others.
6 Environmental Artists Who Celebrate Nature and Promote Positive Social Change
Photo courtesy of Benjamin Von Wong In an effort to prevent ocean plastic pollution, the European Union decided earlier this year to impose a comprehensive ban on single-use plastic products. However, it is not only politicians who are fighting to safeguard our environment; artists are also putting in the same amount of effort to raise awareness of environmental challenges, elicit change, and chronicle the beauty of the world before it is too late to save it. Developed in the 1960s and early 1970s, the environmental art movement is primarily concerned with the artist’s relationship with the natural world.
As opposed to older artists such as Udo who celebrated the beauty of nature, many contemporary artists are employing a diverse variety of mediums, methods, and styles to highlight societal concerns and the harmful impact that we, as human beings, are having on the environment.
Benjamin Von Wong took this photograph. In an effort to prevent ocean plastic pollution, the European Union agreed earlier this year for a comprehensive ban on single-use plastics. However, it is not only politicians who are fighting to conserve our environment; artists are also putting in the same amount of effort to raise awareness of environmental concerns, elicit change, and capture the beauty of the world before it is too late to do so. Developed in the 1960s and early 1970s, the environmental art movement is primarily concerned with the artist’s relationship with the natural world.
As opposed to older artists such as Udo who celebrated the beauty of nature, many contemporary artists are employing a diverse variety of mediums, methods, and styles to highlight societal concerns and the harmful impact that we, as human beings, are having on our environment.
Andy Goldsworthy, a British sculptor, photographer, and environmentalist, is best known for his site-specific land art, which he creates using natural and found materials. In his ephemeral installations, he constructs them out of rocks, ice, leaves, or branches, and then meticulously studies how the fleeting structures evolve and wither over time. “It has nothing to do with art,” he clarifies. In the end, it’s just about life and the necessity to realize that a lot of things in life are fleeting.”
Richard Shilling, a British artist who is inspired by the work of Andy Goldsworthy, creates outdoor sculptural pieces using natural materials acquired from the surrounding environment. His most well-known works, which are stained glass-like sculptures constructed from vibrant leaves, and his piled rock totems, are both examples of his exploration of form and color.
According to him, “Nature art is simply just one method of conveying the delight of feeling at one with the environment,” according to My Modern Met.
“The grandmother” of the early environmental art movement, Hungarian conceptual artist Agnes Denesis is sometimes referred to as “the grandmother” of the early environmental art movement. She first gained prominence in the 1960s and 1970s, when she produced a large number of site-specific works influenced by the environment. In the spring and summer of 1982, she worked for four months on her most renowned piece, titledWheatfield, a Confrontation, which became her most well-known work. With the assistance of the Public Art Fund, Denes established a field of golden wheat on two acres of trash near Wall Street in lower Manhattan, which is now being harvested.
The artist investigates the interaction between nature and the urban environment using a variety of mediums, ranging from poetry and prose to complicated hand- and computer-rendered graphics.
Using alarming photographs of plastic garbage, Seattle-based artist and photographer Chris Jordan exposes consumerist society and serves as a reminder to us about how we are killing our world. As part of his series, Intolerable Beauty: Portraits of American Mass Consumption, he traveled to several shipping ports and industrial yards around the country to photograph massive mounds of abandoned products, such as discarded smartphones and computer components, that were destined for landfill. In the artist’s words, “I am repulsed by these situations, yet I am also lured into them with amazement and interest.” “The enormous size of human consumption may look dismal, macabre, bizarrely hilarious and satirical, and even darkly beautiful; for me, its persistent element is a mind-boggling level of intricacy.
Chris and his filmmaking crew were on an isolated island in the center of the enormous Pacific Ocean when they watched cycles of birth, life, and ultimately death caused by plastic pollution.
Benjamin Von Wong
Using photography, Benjamin Von Wong creates stunning, thought-provoking photographs that raise awareness of important environmental and social concerns such as climate change and plastic waste in the ocean. It is especially true in one of his most recent work that focuses on e-waste that he employs novel materials in order to achieve a high level of conceptual sophistication.
Wong gathered the anticipated amount of electronic garbage generated by an ordinary resident of the United States in one lifetime through collaborations with Dell and Wistron Greentech, and used it to produce spectacular, post-apocalyptic photography as part of his project.
Learn more about the project below.
Benjamin Von Wong is a photographer who makes stunning, thought-provoking photos that raise awareness of concerns such as climate change and plastic waste in our waters. It is especially true in one of his most recent projects that focuses on e-waste that he employs novel materials in order to get high-concept results. Wong gathered the anticipated amount of electronic garbage generated by an ordinary inhabitant of the United States in one lifetime through collaborations with Dell and Wistron Greentech, and used it to produce spectacular, post-apocalyptic visuals in the process.
7 Environmental Artists Fighting for Change
Photographer Benjamin Von Wong makes stunning, thought-provoking photos that raise awareness of concerns such as climate change and plastic waste in our oceans. It is especially true in one of his most recent work that focuses on e-waste that he employs unique materials in order to achieve a high level of conceptualization. Wong gathered the anticipated amount of electronic garbage generated by an ordinary inhabitant of the United States in one lifetime through collaborations with Dell and Wistron Greentech, and used it to produce magnificent, post-apocalyptic pictures.
How Can Environmental Art Change the World?
In general, environmental art does not have a well defined concept. The work of many environmental artists, on the other hand, contributes to our understanding of nature; environmental art is concerned with environmental forces and materials; it re-imagines people’ relationships with nature and helps to restore damaged habitats. Furthermore, one of the most distinguishing aspects of environmental art is that it is often designed for a specific location, cannot be transferred, and, as a result, cannot be displayed in museums or exhibition spaces.
- Editor’s Recommendation: Art on the Land and in the Environment Jeffrey Kastner is the editor of the publication Land and Environmental Art.
- The art of Michael Heizer, Nancy Holt, and Robert Smithson is discussed in detail by the author.
- Brian Wallis (the contributor) explores the important figures, artifacts, and concerns that have defined Land Art throughout history, as well as the repercussions of this art form now.
- The book is accompanied with beautiful images, drawings, and project notes.
Scroll Down and See Some of the Most Notable Environmental Artists of Our Time!
The term “environmental art” does not have a clear definition in general. Many environmental artists, on the other hand, contribute to our understanding of nature; environmental art is concerned with environmental forces and materials; it re-imagines people’ relationships with nature and helps to restore harmed ecosystems. Furthermore, one of the most distinguishing aspects of environmental art is that it is often designed for a specific location, cannot be transferred, and, as a result, cannot be displayed in galleries or museums.
Editor’s Note: This is a recommendation from the editors.
From the conventional landscape genre, which was modified dramatically in the 1960s, the author traces the whole history of this movement, beginning with its origins in Europe.
From the 1960s Land Art movement through contemporary environmental art, this book provides a comprehensive overview of the subject.
The book is illustrated with beautiful photographs, sketches, and project notes from the time periods covered.
Chris Jordan – Exposing Consumeristic Culture
Chris Jordan is an artist residing in Seattle who formerly worked as a lawyer. This environmental artist became well-known for his images of rubbish and other “products” of consumerist culture, which he captured on film. His work may be pretty disturbing at times. Jordan’s artworks, which he characterizes as “slow-motion apocalypse,” are created by combining photography with technology and computer tools. Jordan’s work serves as a constant reminder of how quickly we may devastate our ecosystem and our world.
Agnes Denes – The Grandmother of Environmental Art Movement
Agnes Denes is a conceptual artist of Hungarian descent who currently lives and works in New York City. As “the grandmother” of the early environmental art movements, Denes is particularly concerned in people’ perceptions of natural cycles and their role in stewardship of the environment. Her most well-known environmental art piece is without a doubtWheatfield, a Confrontation, which was completed in 1982. Among the tasks Denes completed during his six-month construction period was planting a field of golden wheat on two acres on a rubble-strewn waste near Wall Street in Manhattan.
Edith Meusnier – Mixing Textile and Environment
Edith Meusnier is a textile and environmental artist based in France. Meusnier investigates the concepts of sustainability and vulnerability via her work. Her textile installations are shown outside, in locations like as castle parks, monastic cloisters, and parks in front of museums, among other places. Every new project begins with the selection of a specific place, as she believes that varied locations define her works. Her sculptures are brightly colorful and frequently joyous, but they also raise critical concerns such as public space and art, sustainability, and other environmental challenges, which she questions in her work.
Nils-Udo – One of the Main Figures of Environmental Art Movement
Nils-Udo is regarded as one of the most important players in the environmental art movements of the twentieth century. He has been making this type of work for decades, and he is well-known for building “utopias” in nature, in an attempt to demonstrate that they are possible to achieve. As the artist explains: “Even if I work in line with nature and only meddle with the utmost care, there is a fundamental inherent conflict.” Every aspect of my art is based on this paradox, which is itself unable to escape the fundamental fatality of human life.
Utopia becomes a reality when we comprehend what is potential and latent in Nature, when we physically realize what has never existed before.
It is sufficient to have a second life. The event has already occurred. Nothing but animation and visibility have been added. Nils-Udo in 2011; Nils-Udo – Artwork Detail; Nils-Udo – Artwork Detail (courtesy of nsconover.com)
Andy Goldsworthy – Artist and Environmentalist
Artist who was born in the United Kingdom Andy Goldsworthy is another well-known environmental artist who makes site-specific works out of natural elements such as dirt, twigs, snow, and brightly colored flowers, among other things. Goldsworthy is also an advocate for the environment. He has created pieces that may be found both in urban and nature settings. This is how Goldsworthy describes his artistic style: Natura’s life-blood is movement, change, light, development, and decay, and it is these forces that I aim to tap into via my art.
Red Earth Environmental Art Group
Red Earth develops site-specific work that interacts with the natural environment, such as performances, installations, and interactive events, among other things. The company, which is led by artists and co-directors Caitlin Easterby and Simon Pascoe, has created works in Europe, Java, Japan, and Mongolia, among other places. In this group’s art, what is particularly noteworthy is their communal and participatory approach to the process of creating art. It is their intention to collaborate and work not just with other artists, but also with geologists, activists, archaeologists, and other professionals.
All images have been used only for the purpose of illustration.